TROUBLESOME RISING DIGITAL ANTHOLOGY

FCI Letcher County

Brandon Sun Eagle Jent

Caging abandoned people on abandoned mine land.
Our people, already packed in county jails 
past double capacity. The blue-lines must be bored, playing  catch and release with their cousins. They let us go 
on Friday, re-arrest us on Monday. There’s no escaping  small town knowledge, the story behind our surnames: 

U.S. Steel traded black gold for greenbacks.
The coal miners before us traded broken backs 
for morphine scripts and company store credit and
steely glares from their bosses. Just get back to work
A century later, pills and bills still fill 
chasms those coal barons left barren. Politicians clog
roads and courthouses with election signs, empty promises. 
They have pockets deeper than mine shafts. They say 

the prison will get us back to work. It’s good 
for the economy. They don’t deny the risks. They know
they’re gambling with our lives: new concrete repelling rainwater,
creeks vomiting tsunamis, neighbors white-knuckling tree limbs 
before drowning downstream. Again. 

Can the prison still imprison if it floats away?  
Does the budget include relief for thousand year floods?  
For families still displaced from the flood of ‘22?  Wouldn’t $500 million build us all a new roof?

Mamaw’s Boy

Brandon Sun Eagle Jent

   For child survivors of floods and
   hurricanes in Central Appalachia 

Mamaw’s boy had a wide smile that shined, 
messy straw-blonde hair and clearwater eyes.
Come summertime, he and the neighbor boys would wade 
in the creek, fists gritty with rocks and all that wriggles underneath. 
He’d come to Mamaw’s after and run through her house;
she’d chase him across rugs, linoleum, hardwood.
His laughter trailed like bubbles into every room. 

That was before the thousand year flood. 
Before twelve hours of rain became twenty feet of water.
Before the creek bank unhinged like a broken jaw  and the hollow road lost its gravel teeth, muddy gashes like bloody gums. 

Before, it was summer vacation
and school was just a week away.  

But when Mamaw’s boy woke up,  
it was a new kind of day. A day for survivors. 

 The creek had come to wade in his own front yard, 
murky water lapping at the front porch steps. The neighbor  
boys were busy mucking out their bedrooms, sifting through debris and throwing away toys. They were serious, like grown-ups, frowning at their phones. Breaking news 
replaced cartoons. Schools distributed supplies, volunteer teachers packing the waiting 
cars with bag lunches, toothbrushes, spare clothes. 

Before the mud could begin to dry, brush fire 
flames licked light along the ridgelines. 
All that Mamaw’s boy saw turned his clear eyes cloudy. 

Now he trembles every time it rains. 
Now he cranes his neck just over the creek bank,
checking for rising water. Now he plays inside on screens
or in silence. 

When Mamaw asks him, How come you don’t 
run through the house no more? How come you don’t 
play with the neighbor boys no more? How come 
you ain’t excited for summer no more? 

His lips form a culvert— 



Brandon Sun Eagle Jent (he/she/they) resides in eastern Kentucky on the unceded lands of the ᎠᏂᏴᏫᏯ, S’atsoyaha, and Šaawanwaki nations. His writing can be found in Still: The Journal, Untelling Magazine, Pine Mountain Sand & Gravel, and the anthology To Belong Here: A New Generation of Queer, Trans, and Two-Spirit Appalachian Writers (University Press of Kentucky).