Re-cognition and Re-vision: Pushing the boundaries of poems w/ Nickole Brown

Writers often place a hard line between the acts of writing and revising. While the first is seen as an act of joyful inspiration, the second is generally viewed as drudging perspiration. This workshop—which will spend the duration of three weeks working on one single poem that each student will share the first day of class—focuses on specific elements such as tone, metaphor, imagery, form, and sound as we walk through a step-by-step process by which you might not only revise the poem selected for this class but also your other work as well. With the goal of infusing revision with the creative energy that accompanies writing early drafts, this straightforward, pragmatic workshop will be most helpful to writers currently working on drafts of existing poems. 

This will be a three-week synchronous class, held live on Zoom. 

Sunday April 4th, 11th, & 18th

1:00-4:00 PM 

Registration is Closed.

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Meet your instructor

Nickole Brown received her MFA from the Vermont College, studied literature at Oxford University, and was the editorial assistant for the late Hunter S. Thompson. She worked at Sarabande Books for ten years. Her first collection, Sister, a novel-in-poems, was first published in 2007 by Red Hen Press and a new edition was reissued by Sibling Rivalry Press in 2018. Her second book, a biography-in-poems called Fanny Says, came out from BOA Editions in 2015, and the audio book of that collection became available in 2017. She was an Assistant Professor at the University of Arkansas at Little Rock for four years until she gave up her beloved time in the classroom in hope of writing full time. Currently, she is the Editor for the Marie Alexander Poetry Series and teaches periodically at a number of places, including the Sewanee School of Letters MFA Program, the Great Smokies Writing Program at UNCA, and the Hindman Settlement School. She lives with her wife, poet Jessica Jacobs, in Asheville, NC, where she volunteers at a three different animal sanctuaries. Currently, she’s at work on a bestiary of sorts about these animals, but it won’t consist of the kind of pastorals that always made her (and most of the working-class folks she knows) feel shut out of nature and the writing about it—these poems speak in a queer, Southern-trash-talking kind of way about nature beautiful, but damaged and dangerous. The first of these new poems won Rattle‘s Chapbook Contest with the publication of To Those Who Were Our First Gods in 2018. A second chapbook from this project, an essay-in-poems called The Donkey Elegies, was published by Sibling Rivalry in January 2020.